That cuckold lives in bliss, Who, certain of his fate, loves not his wronger: But O, what damnd minutes tells he o'er. Act 5 Scene 1- Othello confirms that he is going to kill his wife in her bed, Thy bed, lust-stained, shall with lusts blood be spotted, Act 5 Scene 1- Roderigo correctly identified Iago as the villain after he has been stabbed. Act 4 Scene 1- Othello once again contradicts himself as he suggests that he wishes to violently harm Desdemona, Act 4 Scene 1- Iago tells Othello how to murder his wife, strangle her in her bed, even the bed she hath contaminated, Act 4 Scene 1- Othello suggests that the justice of murder settle him, Act 4 Scene 1- Lodovico reveals that this new Othello would not be believed in Venice, My lord, this would not be believed in Venice, Act 4 Scene 1- Othello reveals that womens tears are fake, If that earth could teem with a womens tears//Each drop she falls would prove a crocodile, Act 4 Scene 1- Iagos manipulation continues as he declares his honesty, It is not honesty in me to speak// What I have seen and known, Act 4 Scene 2- Emilia swears on her life to Othello that Desdemona is honest, I durst my lord to wager she is honest lay down my stole at stake, Act 4 Scene 2- Othello believes that Desdemona is manipulative and sly in her actions, This is a subtle *****, A closet lock and key of vilainous secrets, Act 4 Scene 2- Desdemona continues to pledge that she is honest, Act 4 Scene 2- Othello declares that Desdemona is false, Act 4 Scene 2- Othello suggests that his fatal flaw is his lack of patience, I should have found in some place of my souL//A drop of patience, Act 4 Scene 2- Othello reveals the danger in Desdemona despite the fact that she appears honest, O, thou weed, Who art so lovely fair and smellst so sweet, Act 4 Scene 2- Desdemona wishes that Emilia lay out her wedding sheets, Act 4 Scene 2- Desdemona reveals to Iago that it is her destiny to suffer, Act 4 Scene 2- Emilia illustrates great power as she is aware that someone is behind Othellos jealousy, I will be hanged is some eternal villain//some busy and intriguing rogue//Have not devised this slander, Act 4 Scene 2- Emilia continues to illustrate her power as she suggest someone is controlling Othellos jealousy, The Moors abused by some most villainous knave, Act 4 Scene 2- Desdemona reveals that despite Othellos unkindness, her love will continue, Unkindness may do much//And his unkindness may defeat my life//But never taint my love, Act 4 Scene 2- Roderigo has a brief moment of realisation that he is the victim of Iagos manipulation, Every day thou daffst me with some device Iagokeepst from me all conveniency. I have wasted myself out of means, Act 4 Scene 2- Iago manipulates Roderigo into killing Cassio, I will show you such a necessity in death that you shall think yourself bound to put it on hime, Act 4 Scene 3- Desdemona that her love for Othello makes her accept his actions, Act 4 Scene 3- Desdemona suggests that she cant forget the Willow song, That song tonight will not go from my mind, Act 4 Scene 3- Desdemona appears critical of men, Act 4 Scene 3- Desdemona questions whether a woman would treat her husband as badly as husbands treat their wives, That there be women do abuse their husbands in such gross kind, Act 4 Scene 3- Emilia playfully reveals that sh would mis-treat her husband, No I neither by this heavenly light: I might dot as well ith dark, Act 4 Scene 3- Emilia playfully suggests that sometimes small sacrifices are necessary for great success, The worlds a huge thing: it it a great price for a small vice, Act 4 Scene 3- Emilia suggests that for men to have great success they must not take themselves too seriously. to start your free trial of SparkNotes Plus. In the same fashion, the play Oedipus written by Sophocles also shows Oedipus being excessively prideful. She responds with the unequivocal never. Thou art rash as fire to say//That she was false. How does Iago use Bianca to trick Othello? Iago knows that if the rest of the characters knew what lurked in his heart, he would be destroyed. Othello recalls the time when he was blissfully unaware of Desdemonas alleged betrayal, and as a result he lived in happy ignorance. Desdemona: Banish me my lord, but kill me not. Othello Romeo and Juliet King Lear . This results in Othellos insecurity and doubtfulness over his relationship with Desdemona and questions his wifes fidelity. Within these three days let me hear thee say That Cassio's not alive. Your son-in-law is far more fair than black. You'll also receive an email with the link. Thieves! This passage shows the care she has for her husband, and also that she is capable of hiding her emotion. He says that Desdemona would be dissatisfied and bored by staying with a black, old Moor and that she would want to sleep with another man. If there was one moment which foreshadows his excessive pride, it is how he describes his love for Desdemona in (I.iii): She loved me for the dangers I had passed, and I loved her that she did pity them. (Jack, Chapter-Two) Jack, the anti-hero and opponent of Ralph, speaks these words to Ralph. His suggestion is a subtle mutiny aimed at Roderigo. Put out the light, and then put out the light: Trying to bring himself to kill Desdemona, Othello acknowledges the finality of what he is about to do. creating and saving your own notes as you read. You can view our. Fill each blank with the most appropriate word. The quote also shows that once Othello has begun to think about the possibility of his wife being unfaithful, he is unable to leave the idea alone. Perhaps the best example of this ambiguity in the second scene occurs towards the end. When Karen scored the tie-breaking goal with five seconds left to play, _____ broke out. Youll have your daughter covered with a Barbary horse the black ram is tupping your white ewe. -Easy prey to insecurities due to his age, his life as a soldier, and his self-consciousness about being a racial and culture outsider -very trusting of others Hubris -Derived from the greed word Hybris -means "excessive pride" -In Greek tragedy, hubris is often viewed as the flaw that leads to the downfall of the tragic hero His weak-mindedness and arrogance leads to Iago deceiving him and controlling him saying that Desdemona has sinned through cheating Othello and needs to be punished. In Act 3 Scene 3, after Iago reminds Othello of Desdemonas disobedience to her father, Iago poisons Othellos mind by saying that his wife, Desdemona, is unfaithful to him as she is having an affair with someone else. "We can never be gods, after all--but we can become something less than human with frightening ease." N.K. Your group members can use the joining link below to redeem their group membership. Othello's hubris eventually leads to his downfall, as he is too proud to ask Desdemona if she has been unfaithful, as he does not want to be cuckolded and have his manhood, honour and reputation ruined as a result . Jemisin, The Hundred Thousand Kingdoms tags: cruelty , gods , hubris , humanity 316 likes Like "I am sufficiently proud of my knowing something to be modest about my not knowing all." Vladimir Nabokov, Lolita Othello speaks this quote to Iago after Iago has explained to him about Cassios involvement in a drunken brawl. I think upont, I think- I smellt- O villainy! I am constant as the northern star. Best summary PDF, themes, and quotes. Othello, tormented by hamartia, is bound from the earliest starting point of the play. This statement is one of the few moments of honesty between Iago and another character. The theme of extravagant pride is introduced at the very start of the play when Iago accuses Othello of loving his own pride and purposes because the General has foolishly promoted the arithmetician Cassio, who can prattle about war despite lacking any practise on the battlefield. And O you mortal engines, whose rude throats. Here, black has a dual meaning - referring to Othello's race and also, according to usage of the time, meaning "ugly". Othello shows his noble nature by diffusing the tension between him and Brabantio (Megalopsychia) Act 1 sc 2 "I do beseech you, send for the lady to the sagittary, and let her speak before her father. (3.3.373-382) Iago realizes the unbelievable power of jealousy. Your subscription will continue automatically once the free trial period is over. However, the audience will be quick to question Iagos own motivation for such scornful remarks. He is proud and vain thinking that the handkerchief is enough proof that Desdemona is has faithlessness to her husband. Othello says this line at the very end of the play, once he realizes that he has been tricked and deceived. William Shakespeare and Othello Background. Othello is able to rise above the stereotypes, but he is never able to forget what others may feel about him. The irony of this statement is that he is telling the truth about his dishonesty. The post-colonial reading focuses on the marginalised group, referred to as the other. We're sorry, SparkNotes Plus isn't available in your country. Look to you house, your daughter, and your bags! This hand is moist, my lady, Act 3 Scene 4 Othello discusses the ancestry of the Hankerchief, That hankerchief//Did an Egyptian to my mother give:She was a charmer and could almost read the thoughts of people, Act 4 Scene 2- Othello suggests that heavens worst punishment is affecting his reputation, But alas, to make me//A fixed figure for the time of scorn//To point this slow unmoving finger at. O inhuman do! (4.2.) Often translated into English as outrage, hubris was a criminal act of malicious and unjustifiable cruelty or violence, committed with the sole intention of dishonouring the victim. Her vocal support for him only enrages Othello and he strikes her. Renew your subscription to regain access to all of our exclusive, ad-free study tools. Like Cassio, Othello believes a man's reputation is "immortal", and he hopes his name will not be sullied by this final chapter of his life. Aristotle outlined his theory of tragedy in Poetics. O, the world hath not a sweeter creature! Inthetwentiethcentury,musicalexperimentationbecamemorecommon,andnewsoundsandformsbegantoemerge. Shall ever medicine thee to that sweet sleep. Othello feels conflicted and is in a dilemma. This quotation is significant because it is clearly hurtful to O, but even more important, it actually contradicts a previous conversation O has with Desi at the beginning of the film. However, because Othello is black, this can be interpreted as a backhanded compliment; Othello is more fair (just, gentlemanly) than those of his race. The ancients indignant tone and the alliteration of /p/ in pride and purposes emphasise that arrogance. The tragic hero then interrogates Desdemona. The quote shows how fully Othello's feelings towards Desdemona have changed: he now hates her as passionately as he previously loved her. freebooksummary.com 2016 2022 All Rights Reserved, We use cookies to give you the best experience possible. resource to ask questions, find answers, and discuss thenovel. Act 5 Scene 2- Emilia suggests that he can no longer obey her husband, let me have leave to speak//Tis proper I obey him, but not now, Act 5 Scene 2- Emilia continues to abuse Othello, Nay, lay thee down and roar,//For thou hast killed the sweetest innocent// That eer did lift up eye, Act 5 Scene 2- Gratiano suggests that this relationship resulted in the death of Branbantio, Act 5 Scene 2- Iago abuses his wife and then murders her, Villainous *****!Filth, thou liest[Iago stabs Emilia from behind and exit], Act 5 Scene 2- Othello identifies that honesty is better than honour, Act 5 Scene 2- Othello is aware that he will be eternally punished for his actions- religiously, This look of thine will hurl my soul from heaven//And fiends will snatch at itRoast me in sulphur, Act 5 Scene 2- Othello suggests that he cant kill Iago because he maybe the devil, If that thou best a devil, I cannot kill thee, Act 5 Scene 2- Othello allows Iago to live as he believes he will suffer more in life, Id have thee live//For in my sense tis happiness to die, Act 5 Scene 2- Lodovico highlights Othellos downfall from nobility, O, thou Othello, that was once so good//Fallen in the practice of a damned slave, Act 5 Scene 2- Othello suggests that his fatal flaw was his obsession with honour, For nought did I in hate, but all in honour, Act 5 Scene 2- Othello demands answers from Iago, I pray, demand that demi-devil//Why he hath thus ensnared my soul and body, Act 5 Scene 2- In an attempt to regain power, Iago refuses to speak at the end of the play, Demand me nothing; what you know, you know//From this time forth I never will speak word, Act 5 Scene 2- In his final speech he remain self-assured and proud of his work with the state, I have done the state some service and they knowt, Act 5 Scene 2- Othello remains focused on his reputation, When you shall these unlucky deed relate//Speak of me as I am, Act 5 Scene 2- Othello identifies his fatal flaw as overwhelming love for Desdemona, Of one that loved not wisely, but too well, Act 5 Scene 2- Othello identifies his fatal flaw being too impressionable, Of one not easily jealous, but being wrought//Perplexed in the extreme, Act 5 Scene 2- As Othello commits suicide theres a sense that the conflict between the soldier and husband within him dies as the soldier kills the husband to bring justice, I took by the throat the circumsised dog//And smote him thus, Act 5 Scene 2- Othello ultimately loves his wife, Act 5 Scene 2- Cassio reveals Othello greatness of soul, Act 5 Scene 2- Lodovico marks the end of this tragedy, Look on the tragic loading of this bedMyself will straight aboard, and to the state//This heavy act with heavy heart relate, Act 1 Scene 2- Although Othello loves his wife he will not give up his freedom as a soldier to marry her, I would not my unhoused free condition//Put into circumscription and confine//For the seass worth, Act 1 Scene 3- The first senator reveals the rational analysis of the state which contrasts that of Othello late on in the play, This cannot be//By no assay of reason//Tis pageant To keep us false in gaze, Act 3 Scene 3- Othello suggests he must get rid of all his love for Desdemona but he still regard it highly as he sends it to heaven, All my fond love thus do I blow to heaven, Act 3 Scene 3 Othello declares himself to Iago illustrating his loss of power, Othellos kneeling mirrors that of Desdemona later in the play, In the due reverend of a sacred vow//I here engage my words [he kneels], Act 3 Scene 3- Iago commands that Othello remains kneeling and he joins Othello illustrating Iagos growing power, Act 3 Scene 3- Iago declares himself to Othello and the two rise together illustrating their union in the second half of the palay, Let him command,//And to obey shall be in me remorse//What bloody business ever [they rise], Act 3 Scene 3- Othellos previous respect and worshiping of his wife has gone, Damned he, lewd minx! Reputation, reputation, reputation! The quote also reveals that Othello is a charismatic and impressively articulate individual, who can charm someone with the power of his words. Overall, Iago has manipulated Othello. Through this play, Othello's hubris causes his greatest downfall. Ironically, Othello assumes that Iago is being tactful and trying not to blame Cassio for what happened, whereas Iago has actually engineered the entire situation in order to get Cassio in trouble. I have lost the immortal part of myself, Act 2 Scene 3- Cassio curses the alcohol as he is left devastated, Every inordinate cup is unblessed and the ingredience is evil, Act 2 Scene 3- Iago reveals that Othellos devotion to Desdemona could act as his fatal flaw, he hath devoted and given up himself to the contemplation, mark and denotement of her parts and graces, Act 2 Scene 3- Iago reveals that Desdemonas kind nature is a flaw that can be used against her, She is of a free, so kind, so apt, so blessed a disposition she holds it a vice in her goodness not to do more than she is requested, Act 2 Scene 3- A moment of dramatic irony as Iago reveals himself to be the villain, And whats he then that says I play the villain//When this advice is free I give and honest, Act 2 Scene 3- A moment when Iago further illustrates Desdemonas innocent and free nature, Shes framed as fruitful//As the free elements, Act 2 Scene 3- Iago reinforces Othellos fatal flaw as his love for Desdemona, Act 2 Scene 3- Iago reveals the deadline nature of words, Act 2 Scene 3- Iago reveals that it is Desdemonas goodness that will result in their tragic downfall, And by how much she strives to do him good//She shall undo her credit with the Moor, Act 2 Scene 3- Iago declares that he will turn Desdemonas strengths into weaknesses, So I will turn her virtue into pitch// and out of her own goodness make the net//That shall enmesh them all, Act 2 Scene 3- Roderigo has a moment of realisation that he is the victim, I shall have so much experience for my pains; and so, with no money at all, and a little more with, return to Venice, Act 3 Scene 1- Cassio discusses the purity of Desdemona, Act 3 Scene 1- Cassio makes an error of judgement as discusses his trust for Iago, I never knew a Florentine more kind and honest, Act 3 Scene 3- Desdemona makes an error of judgment as she confirms that she will help Cassio, be thou assured good Cassio, I will do// all my abilities in thy behalf, Act 3 Scene 3- Desdemona makes an error of judgement as she states that she trusts Iago, Act 3 Scene 3- In a moment of dramatic irony Desdemona doesnt know the truth in here words as she states she would rather die than give up on Cassio, For thy solicitor shall rather die//Than give thy cause away, Act 2 Scene 1- Desdemona is putting up a front to maintain appearances as she waits with Iago and Emilia for Othello to arrive safely to Cyprus, I am no merry, but I do beguile// The thing I am by seeming otherwise, Act 2 Scene 3- Othello reveals that he and Desdemona are going to have sex for the first time, The purchases made, the fruits are to ensue: That profits yet to come tween me and you, Act 2 Scene 3- Iago appears crude and bitter as he wishes that Othello and Desdemona have a good time in bed, this contrasts the formality of Cassios language, Act 2 Scene 3- Iago presents Roderigo as the tragic victim of love, Rodergio, Whom love hath turned almost wrong side out, Act 2 Scene 3- Iago introduces the power of pride as he sings with Cassio to get him drunk, Act 2 Scene 3- When Cassio is drunk he reinforces his power over Iago, The lieutenant is to be saved before the Ancient, Act 2 Scene 3- Iago begins to manipulate Montano into believing that Cassio should not be trust by Othello, Act 2 Scene 3- Montano presents Othellos good nature as he defends the trust Othello put in Cassio, his good nature//Prizes the virtue that appears in Cassio// and looks not on his evils, Act 2 Scene 3- In a moment of dramatic iron Iago damns Cassio for his drunken behavious, Act 2 Scene 3- Othello states that he Cassio has ruined his reputation as lieutenant, Act 2 Scene 3- In a moment of dramatic irony Othello states that he is now ruled by his blood, Now, by heaven// My blood begins my safer guides to rule, Act 2 Scene 3- In a moment of dramatic irony Othello criticises those who make their private conflict public, To manage private and domestic quarrel in night, and on the court and guard of safety, Act 2 Scene 3- Iago states that when angered men do harm to those they love, As men in rage strike those that wish them best, Act 2 Scene 3- Iago reveals his bitter opinions of status and reputation, Reputation is an idle and most false imposition: oft got without merit and lost without deserving, Act 2 Scene 3- Iago revels that Othello now belongs to Desdemona, Act 2 Scene 3- Iago reveals a possible fatal flaw of Othello as he is completely devoted to Dsdemona, Act 3 Scene 3- Iago begins to plants seeds of doubt into Iagos mind as he suggests that Cassio is sneaking around behind Othellos back, I cannot think it// That he would sneak away so guilty-like// Seeing you coming, Act 3 Scene 3- Othello states that he will give Desdemona everything, Act 3 Scene 3- Desdemona proves to Emilia that she is obedient but challenges Emilias obedience, Emilia come. Othello: Down, Strumpet! She warns the General that some wretch has put these suspicions in his head and they should be punished with the serpents curse. More books than SparkNotes. Othello holds himself with high. The Language of Composition: Reading, Writing, Rhetoric, Lawrence Scanlon, Renee H. Shea, Robin Dissin Aufses, Edge Reading, Writing and Language: Level C, David W. Moore, Deborah Short, Michael W. Smith. Othello: Out, strumpet! Othello trusts Iago to advise him about Venice. I will chop her into messes. What does it mean? " Desdemona protests and in a respectful, polite manner, she begs him to stop and listen to her statements. Ah me, ah me! O, I have lost my reputation! In Venice, they do let God see the pranks they dare not show their husbands. (He smothers her) Othellos ruthlessness and hubris energise him to throttle his wife, ignoring her desperate pleas. "But he, as loving his own pride and purposes" Iago's comments on Cassio's talents. Act 1 Scene 1- Iago illustrates Othello's hubris. At face value, the Duke says that if virtue can be beautiful, then Othello is indeed "fair", or beautiful, as he possesses goodness. The protagonist wants to appear powerful, especially as an outsider in this white society, but her affair reduces his status to a disgraced cuckold. Othello's . While the protagonist reads a letter from Venice commanding him to return from Cyprus and deputing Cassio in his government, Desdemona says there is an unkind breach between the two men and she would like to see them reconciled because of the love I bear to Cassio. Thieves! Want 100 or more? For when my outward action doth demonstrate, In compliment extern, tis not long after. The Question and Answer section for Othello is a great Be as your fancies teach you. Act 1 Scene 1- Iagos racism as he discusses Othello and his wife to Brabantio, an old black ram//Is tupping your white ewe, Act 1 Scene 1- Iagos racism continues as he discusses Othellos marriage, youll have your//daughter covered with a Barbary horse; youll have your// nephews neigh to you, Act 1 Scene 1- Brabantio doesnt know the truth in his words, Act 1 Scene 1- Roderigo illustrates that he is repulsed by the marriage, Act 1 Scene 1- Iagos dramatic irony as he suggests that he should leave before Othello arrives, It seems not meet, nor wholesome to my place//To be produced, Act 1 Scene 1- Brabantio introduces a central theme to the play, Act 1 Scene 1- Brabantio expresses his betrayal, Act 1 Scene 1- Brabantio confirms the Rennaissance stereotype of black men, Is there not charm// By which property of youth and maidhood//May be abused, Act 1 Scene 1- Brabantio makes his private conflict public, Get weapons, ho!//And raise some special officers of night, Act 1 Scene 2- Iagos dramatic irony as he pretend to be fault to Othello, Act 1 Scene 2- Iago suggests that Brabantio has betrayed Othellos honour, And spoke such scurvy and provoking terms// Against your honour, Act 1 Scene 2- Othello initially illustrates his pride as an officer, My services which I have done the signory//Shall out-tongue his complaints, Act 1 Scene 2- Othello further illustrates his honour as an officer, I fetch my life and being//From men of royal siege, Act 1 Scene 2- Othello expresses his greatness of soul as he declares his love for Desdemona, But that I love the gentle Desdemona//For the seas worth, Act 1 Scene 2- Othello declared his hubris as he suggests that he must be found, My parts, my title, and my perfect soul//Shall manifest me rightly, Act 1 Scene 2- Othello subverts the traditional stereotype of soldiers as he suggests that violence isnt always the way, Keep up your bright swords, for the dew will rust them//Good signor, you shall command with years//Than with your weapons, Act 1 Scene 2- Brabantio declares that Othello has charmed Desdemona, Damned as thou art, thou has enchanted her, Act 1 Scene 2- Brabantio illustrates Desdemona as a weak victim to the cunning sexual predator of Othello, If she in chains of magic were not bound//Whether a maid, so tender, fair and happy//so opposite to marriage that she shunned, Act 1 Scene 2- Brabantio reveals his casual xenophobia as he suggests that one should be afraid of Othello rather than in love, Of such a thing as thou: to fear, not to delight, Act 1 Scene 2- Brabantio confirms the Rennaissance stereotype of black man as he presents Othello as a cunning sexual predator, That thou hast practised on her with foul charms//Abused her delicate youth with drugs or minerals, Act 1 Scene 2- Brabantio presents Othello as a villain, Act 1 Scene 2- Othello asserts his power as an officer declaring that violence is not necessary, Were it my cue to fight, I should have known it//Without a prompter, Act 1 Scene 3- Brabantio presents Desdemona as his property as he declares Othellos crimes before the senate, She us abused, stolen from me, and corrupted, Act 1 Scene 3- Brabantio presents Desdemona as the innocent victim of Othellos abuse, Being not deficient, blind, or lame of sense//Sans witchcraft could not, Act 1 Scene 3- Othello dispels all rumors as he addresses the senate with respect, Act 1 Scene 3- Othellos dramatic irony as he suggests he does not speak well in front of a crowd, Rude am I in my speech//And little blessed with soft phrase of peace, Act 1 Scene 3- Othello also suggests that Desdemona is now is property, Act 1 Scene 3- Brabantio continues to present Desdemona as a weak and innocent victim as Othello attempts to justify his actions, A maiden never bold//Of spirit so still and quiet that her motion//Blushed at herself, Act 1 Scene 3- Brabantio continues to illustrates the xenophobia of his time, To fall in love with what she feared to look on, Act 1 Scene 3- Brabantio expresses the unnatural nature of this marriage, Act 1 Scene 3- Brabantio a likens Othello to the Devil, Act 1 Scene 3- Othello presents a greatness of soul as he allows Desdemona to speak for herself, And let her speak of me before her father, Act 1 Scene 3- A moment of foreshadowing as Othello presents a greatness of soul as he illustrates his overwhelming trust for Desdemona, but let your sentence//Even fall upon my life, Act 1 Scene 3- Othello presents his hubris as he discuss the difficulties that he has overcome to the senate, From year to year- the battles, sieges, fortunes//That I have passed, Act 1 Scene 3- Othello presents he hubris as he boasts about his exotic adventures to the senate, Rough quarried, rocks, and hills whose heads tough heaven, Act 1 Scene 3- Othello first discusses why Desdemona was attracted to him, Shed come again, and with a greedy ear//Devour up my discourse, Act 1 Scene 3- Othello discusses the sympathy that Desdemona felt towards his struggles, She gave me for my pains a world of sighs, Act 1 Scene 3- Othello discusses how he enjoyed the pity he received from Desdemona, She loved me for the danger I had passed// And I loved her, that she did pity them, Act 1 Scene 3- Desdemona is allowed to speech and expresses how she belonged to her father, Act 1 Scene 3- Brabantio does not understand the harmful power of words, But words are words; I never yet did hear// That the bruised heart was pieced through the ear, Act 1 Scene 3- Desdemona expresses that she now belong completely to Othello, My heart subdued//Even to the very quality of my lord, Act 1 Scene 3- Desdemona discusses Othellos honour, And to his honours and he valiant parts//Did I my soul and fortunes consecrate, Act 1 Scene 3- Othello presents his greatness of soul as he declares that he is not simply with Desdemona for reasons of lust, I therefore beg it not//To please the palate of my appetite, Act 1 Scene 3- A moment of dramatic irony as Othello declares his trust for Iago and puts his wife in Iagos care, A man he is of honesty and trust://To his conveyance I assign my wife, Act 1 Scene 3- In a moment way ahead of his time the duke suggests that there is more to Othello than his race, If virtue no delighted beauty lack//Your son-in-law is far more fair than black, Act 1 Scene 3- In a moment of foreshadowing Brabantio plants a seed of doubt into Othellos head, Look to her Moor, if thou hast eyes to see//She has deceived her father and may thee, Act 1 Scene 3- In response to Brabantios seed of doubt Othello presents his overwhelming trust for Desdemona, Act 1 Scene 3- Othello makes an error of judgement as he puts Desdemona in Iagos control, Honest Iago,//My Desdemona must I leave to thee, Act 1 Scene 3- Roderigo expresses he desire to die after he learns about the marriage, this mirrors Othellos speech moments before his death, It is silliness to live, when to live is tormentwe have a prescription to die, Act 1 Scene 3- Iago declares the importance of will over instinct, Our bodies are our gardeners, to the which our will are gardeners, Act 1 Scene 3- Iago further illustrates the need to control lust with will, It is merely the lust of the blood and a permission of the will, Act 1 Scene 3- Iago reveals the greedy motives of his support for Roderigo, Act 1 Scene 3- Iago presents casual racism as he questions Othellos will, Act 1 Scene 3- Iago reveals his manipulation of Roderigo for money, Act 1 Scene 3- Iago reveals that is actions are simply for enjoyment presenting him as a true villain, Act 1 Scene 3- Iago suggests that he is going to manipulate Othello, Act 1 Scene 3- Iago identifies Othellos fatal flaw, The Moor if of a free and open nature//Than thinks men honest that but seem to be, Act 1 Scene 3- Iago presents casual racism as he refers to Othello as an animal, And will as tenderly be led by thy nose//As asses are, Act 1 Scene 3- Iagos plan has been formed, Hell and night//Must bring this monstrous birth to the worlds light, Act 2 Scene 1- Montano declares that the Turkish Fleet have drowed, If that the Turkish fleet//Be not ensheltered and embayed, they are drowned, Act 2 Scene 1- In a moment of dramatic irony it is suggested that the battles are over, Act 2 Scene 1- Cassios caring nature and genuine love for Othello are revealed, this dispels all previous rumors, yet he looks sadly//And prays the Moor be safe, Act 2 Scene 1- Cassio presents a genuine concern for Othello who has not yet arrived at Cyprus, O, let the heavens//Give him defence against the elements, Act 2 Scene 1- Iago presents casual sexism as he suggests that his wife Emilia talks to much, would she give you so much of her lips//As of her tongue she oft bestow on me//Youd have enough, Act 2 Scene 1- Desdemona dispels all previous rumors as she appears bold when she defends Emilia from Iago, Act 2 Scene 1- Iago appears sexist as he suggests that even his own wife lacks sexual morality, Act 2 Scene 1- Iago reveals more of plot to manipulate Cassio, With as little a web as this I will ensnare as great a fly as Cassio, Act 2 Scene 1- It is a true high point for the tragic hero as Othello arrives in Cyprus, It gives me wonder great as my content//To see you here before me.
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