Alisa Weilerstein always knew that she wanted to be a cellist. Climate & Environment. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. She spoke to Scott Simon from the Spoleto Festival USA, where she'll be performing through June 12. I have played it countless times, but there was actually a long period of time where I was not playing it, maybe five or six months. September 11, 2008 Cellist Alisa Weilerstein was born into a musical family with a love for chamber music. And I played in master classes for Zara Nelsovanand for Lynn Harrell. That's an honor and a litmus test which Barenboim has only granted one other artist: Yo-Yo Ma. This is the philosophy behind the project, fundamentally: connecting the pieces, connecting the voices of our time together, connecting the familiar and the new, connecting this music with the audience without the barrier of so much contextualization, categorization, bias, all of these things., And connecting, she added, our contemporary world with the concert format. Playing the cello actually takes tremendous upper body strength. Cello virtuoso Alisa Weilerstein is always at the head of her class. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo recitalist, chamber musician and concerto soloist with leading orchestras worldwide. Alisa Weilersteins new project, Fragments, comes to Zankel Hall on April 1. Alisa Weilerstein is a young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition. Earlier in their careers, Moya and Payare both played in the Simn Bolvar Symphony Orchestra of Venezuela, a country that has such an addiction to caffeine that it has a precise linguistic taxonomy for coffee and its functions. (1988) and When Alisa Met Elliott (2012). These cookies do not store any personal information. Youre playing these well-known, exacting pieces of music. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? Its about communicating ideas which are inexpressible in words. For Shaw, that was part of the attraction of Fragments, beyond the obvious appeal of writing for a soloist whose visible commitment expresses such a clear love of music. Her passionate performance of Chopin's Cello Sonata at WGBH is the sign of a young musician well on her way to a major career. 25 by Brahms on June 11 at the Spoleto Festival USA in Charlestown, S.C. I havent played the Elgar in a long time. I want to keep fostering relationships with composers, help expand our repertoire, and create a cornerstones of twenty-first century repertoire. I just want to have a kind of outpouring of music, of thoughts, and everything else, she told The New York Times then. Alisa Weilerstein performs at the National Aquarium in Baltimore. The newly renovated Dock Street Theater in Charleston, S.C., plays host to Gypsy-inspired sounds. September 15, 2010 The young cellist plays Bach with elegance, and takes listeners through the back streets of Buenos Aires with a gripping performance of Omaramor. She joined the artists who found solace on social media, streaming a movement of Bachs cello suites each day, for 36 days in a row. How do you nourish your creative life when youre not working? People assume that this is the only thing you know how to do, or that your talent is a kind of idiot-savant type of thing. WebAlisa Weilerstein is one of the foremost cellists of our time. Who are any of us next to Mozart? She was recognized with a MacArthur Fellowship in 2011. Among these cookies, cookies classified as necessary are stored on your browser because they are essential for the functioning of the basic functionality of the website. Its not about expressing the performers personality, but that inevitably happens. Certain aspects of it may be familiar. There may be people, Weilerstein admits, who are put off by even a modest staging, or by her tinkering with performance traditions. There Will Be Blood. This means people can now refer to you as a genius in an official capacity. Law Firm Website Design by Law Promo, What Clients Say About Working With Gretchen Kenney. Just making sure to get enough sleep, and to have enough space in between engagements, those are things Im not too good at. 2, BWV 1008, that begins the second part (the second CD for physical buyers) is then especially free and introductory in quality. WEILERSTEIN HAS NEVER had the reputation of being a new-music specialist, but she has given her fair share of premieres, and few of her colleagues on the international circuit can list anything so bold as her recording of Elliott Carters Cello Concerto on their discographies. She was awarded the MacArthur genius grant in 2011. Labels are generally very, very unhelpful. Theres a lot of things that classical music does uniquely well, and its important to preserve those things, Weilerstein said. Alisa Weilerstein is one of the foremost cellists of our time. 1 888 842-9951. The 27 who agreed including Tania Len, Joan Tower, Carlos Simon and Daniel Kidane make up a roster that is remarkably diverse demographically and stylistically, but almost all of them asked if they should write with specific reference to Bach, Weilerstein recalled. .st0{fill:#000;}. FC: And you mentioned Dorothy DeLay, who's a legendary violin teacher at Julliard and here in Aspen. Thats the beauty of it. Necessary cookies are absolutely essential for the website to function properly. 2023 Los Angeles Philharmonic Association. For her though, Fragments is an attempt to make the concert hall more of a place of adventure again, and less of a dead end. The Law Office of Gretchen J. Kenney assists clients with Elder Law, including Long-Term Care Planning for Medi-Cal and Veterans Pension (Aid & Attendance) Benefits, Estate Planning, Probate, Trust Administration, and Conservatorships in the San Francisco Bay Area. Thats a great advantage of playing these real masterworks, because theyre so rich in detail that you can always find something new, no matter how many times youve played them. I came to Aspen, I think, for 16 summers of my first 18 years of life, so I spent a lot of my formative years here, so it really feels like another home to me. Housing & Homelessness. You also have to deal with the traveling, which is very tough on the body. In that sense, theres no substitute for time away. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin 1. When did you come here as a cello student? September 20, 2011 Hear the young cellist discuss her new award and watch her play at the NPR offices. Box-Office Hours Webby James Manheim. But if both of us are open to different orientations or interpretations, that can yield a really interesting interpretation and performance. As Artistic Partner of the Trondheim Soloists, she regularly tours and records with the Norwegian orchestra. FC: You spent a lot of time at Aspen as a very young girl. But disabling some of these cookies may have an effect on your browsing experience. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. This website uses cookies to improve your experience when you browse the website. hide caption. Veterans Pension Benefits (Aid & Attendance). For me, the greatest honor of the MacArthur Grant was that its something given not only to musicians, but also to scientists and writers. So that was a very important thing. Its nice, and of course, its a great honor. You try to treat the score as something thats living and breathing, and therefore, malleable. Literally. Something I return to every so often is Kunderas The Book of Laughter and Forgetting. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Its tricky, especially if its a composer like Beethoven, who was specific about what he wanted. This site uses cookies to offer you the best possible experience. Weilersteins cello is her id. Alisa Weilerstein is one of the foremost cellists of our time. Ive been looking forward to working with the Orpheus Chamber Orchestra because they dont play like a typical orchestra with a conductor at the head, in which case you just follow the conductors beat. Those were the kind of stories you heard. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Im going to give you a similar answer to what I would say about the label of prodigy. Of course, these labels are flattering. She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. Jamie Jung As the UKs Telegraph put it, Weilerstein is truly a phenomenon.. Conversation Alisa Weilerstein on what it means to be a classical musician Music , Beginnings, Collaboration, Process From a conversation with T. Cole Rachel April 19, | Disclaimer | Sitemap Right now all I really want to do is give.. hide caption. Alisa Weilerstein is an American cellist who started playing the cello at a young age. AW: No, she actually offered quite a lot of technical advice because - contrary to popular belief - the violin and the cello are really not that different, it's actually the same but just reversed. Is it to be an interpreter? Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a Business. An authority on Bachs music for unaccompanied cello, Weilerstein recently released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed almost 1.5 million times. Daniel Day-Lewis tour de force. courtesy of the artist I never liked that word. Weilerstein was born in Rochester, New York. Cello Suite No. Learn all about Alisa Weilerstein on AllMusic. Weilerstein was born in Rochester, New York. to a secular Jewish family. She started playing the cello at age four. She made her debut at age 13 with the Cleveland Orchestra playing Tchaikovsky 's Variations on a Rococo Theme. As a soloist she has performed with a number of other major orchestras on four continents. Ive found that my happiest collaborations with conductors, where Im playing a concerto with them, have been times where you come together from very, very different places. Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. She will offer new music: quite a lot of it, selected from works by 27 composers she has commissioned. In general, Weilerstein's approach is deliberate and detailed, more reminiscent of Mstislav Rostropovich than of the members of her own family with whom she plays chamber music. I know many people who say, I got inspired by such-and-such conductor when my school took me on a field trip to hear a concert, or such-and-such musician came to my school, and then I knew I loved classical music. The goal is not necessarily that theyll all become musicians, but just that this music will be part of their lives. At this point in your career, how do you define success? You try to treat the score as something thats living and breathing, and therefore, malleable. An ardent proponent of contemporary music, she has also premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. She collaborated with conductor Daniel Barenboim, whose late wife, Jacqueline du Pre, was the standard-bearer for this work. I certainly didnt want that and no one around me wanted that for me. Carlos Kleibers live recording of Brahms 2nd Symphony reminds me of what utter joy and inspiration sounds (and looks!) Weilerstein wanted for the first thing that listeners hear to be the Prelude from the first Suite. Thats a constant discussion. Dont do it for anybody else. The goal is always to know these scores better, to truly live with the great masterworkslike the Bach Suites, for example. There are only a few weeks of the year when Im not on the road. I was never subjected to abuse or was made to practice 10 hours a day while locked up. This is what its about for me., A Cellist Breaks Music Into Fragments, Then Connects Them, https://www.nytimes.com/2023/03/24/arts/music/alisa-weilerstein-fragments-cellist.html. I also heard of other people of my generation being called a prodigy as if they were simply a precocious kid. If theres a piece that Ive been playing over and over again, its very helpful to put it away for a while. Gerardo Antonio Sanchez Torres/courtesy of the artist The perspective gives you something. She has evidently thought hard about how contemporary composers can be given a fairer chance to break through to audiences, especially to those people for whom contemporary art, say, is an easier ask.
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